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One of the most beautiful and touching scenes in all of Certified Copy.

(That guy in the scene? That’s Jean-Claude Carrière)

Available this Tuesday, May 22nd, from Criterion on DVD and Blu-ray.

  • 3 days ago
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From Abbas Kiarostami’s Certified Copy.

Available this Tuesday, May 22nd, from Criterion on DVD and Blu-ray.

  • 3 days ago
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If you’re lookin’ for me, you better check under the sea…
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If you’re lookin’ for me, you better check under the sea…

  • 4 days ago
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Some of the prizes for our donation drive.

  • 4 days ago
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From Abbas Kiarostami’s new film, Like Someone In Love
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From Abbas Kiarostami’s new film, Like Someone In Love

  • 5 days ago
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David Bordwell’s new book, Pandora’s Digital Box: Films, Files, and the Future of Movies is now available for purchase as a PDF on his website for $3.99.
Check out David’s blog post, about the book.
From his site:

Pandora’s Digital Box answers these questions:
How did digital projection get on the agenda?
What roles did George Lucas, James Cameron, and others play in promoting and advancing the technology?
How did the Hollywood studios/distributors take charge of the process and turn it to their advantage?
What was the role of 3D in fulfilling the digital agenda?
How does the shift to digital projection fit into theatres’ strategies to solidify and expand the audience?
How does digital conversion affect small-town theatres? Art and repertory theatres? Film archives and the future of film preservation?
With filmmaking and now film projection becoming extensions of Information Technology, what sorts of changes might we expect to come? Will digital exhibition expand viewers’ choice or reinforce the Hollywood industry’s hold on commercial film culture?
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David Bordwell’s new book, Pandora’s Digital Box: Films, Files, and the Future of Movies is now available for purchase as a PDF on his website for $3.99.

Check out David’s blog post, about the book.

From his site:

Pandora’s Digital Box answers these questions:

  • How did digital projection get on the agenda?
  • What roles did George Lucas, James Cameron, and others play in promoting and advancing the technology?
  • How did the Hollywood studios/distributors take charge of the process and turn it to their advantage?
  • What was the role of 3D in fulfilling the digital agenda?
  • How does the shift to digital projection fit into theatres’ strategies to solidify and expand the audience?
  • How does digital conversion affect small-town theatres? Art and repertory theatres? Film archives and the future of film preservation?
  • With filmmaking and now film projection becoming extensions of Information Technology, what sorts of changes might we expect to come? Will digital exhibition expand viewers’ choice or reinforce the Hollywood industry’s hold on commercial film culture?
  • 5 days ago
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Marlon Brando and his pigeon, from On The Waterfront
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Marlon Brando and his pigeon, from On The Waterfront

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A black and white flyer for the upcoming tour of Daisies by Janus Films.
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A black and white flyer for the upcoming tour of Daisies by Janus Films.

  • 5 days ago
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From Paul Fejos’ 1928 film, Lonesome.
Available August 28th, from Criterion. Pre-order the DVD or the Blu-ray on Amazon
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From Paul Fejos’ 1928 film, Lonesome.

Available August 28th, from Criterion. Pre-order the DVD or the Blu-ray on Amazon

  • 5 days ago
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A closer look at the cover art for Criterion’s August 2012 line-up. 

All of the images are cropped at 1024 x 1024, in case you want to make them your iPad wallpaper (except for Lonesome, which was too small to crop at that size. It’s at 600 x 600)

You can now pre-order all of the titles on Amazon: 

  • The Royal Tenenbaums (Blu-ray upgrade)
  • Lonesome (DVD & Blu-ray)
  • La Promesse (DVD & Blu-ray)
  • Rosetta (DVD & Blu-ray)
  • Quadrophenia (DVD & Blu-ray)
  • Weekend (DVD & Blu-ray)
  • 5 days ago
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